SUNDAY, ORDINARY TIME 17/NO-BUY 2022 DAY 205/JULY 4/3 CHALLENGE


 

Sunday-morning four-o'-clocks and lambs'-ears. 

I've been up and out to walk the dog in a default swing dress, but here's my official Mass outfit for today, as we settle into this last full week of the July 4/3 Challenge



This is another non-default outfit, the second of my three non-default slots for the week, featuring a dress I really should reach for more often. This vintage 90s linen Liz Claiborne maxi dress was an Ebay purchase for Easter 2021, and although I don't wear it all that regularly, I love it. I love the peachy pink, the cool linen, the whole garden-party feel. It's a little big in the bodice, and I still haven't gotten around to having it altered, so I always wear it with something up top to hide the extra fullness under my arms --- though the belt also helps to make the blousiness look intentional. 

After dissecting yesterday's rather blah ensemble, I felt primed to make today's outfit work, especially as I do happen to be going somewhere. Not that the monks care how I look, but you know: going to God's house, and so on. Anyway, here's what I think works about this outfit: 

*The Rule of Three. I'm not bisected right across the middle. Instead, the combination of elements definitely has a 1/3:2/3 ratio going on: a higher waist, defined by both my dark belt and my shrug-length cardigan, with a longer sweep of skirt. Maxis are tricky on me, since I'm neither tall nor willowy and can easily look swallowed in fabric, but here I think the effect is lengthening. 

*The color combinations. Blue and pink work together. They just do. I look so good in blue largely because I have pink-toned skin --- the colors highlight each other in the best possible way. Here I wanted to keep to a consistent blue-pink scheme without being matchy. I really like the lighter blue of the cardigan, with the dark contrast that the blue Birks provide against my lowest hemline. 

*The mix of moods. This is a standard 90s kind of dress, inspired I imagine by all the Merchant-Ivory films and period television dramas of the time. Everybody wanted to look like an English garden party. Today I did not want to look too much like an English garden party, even though I keep reaching for that exact phrase to describe the vibe of this dress. One of the best things the 90s grunge movement did was mix up elements in striking ways: a dress like this with Doc Martens, for example. I didn't quite want to wear Docs (though in the winter I would), but I thought that in addition to being a good color, the Birkenstocks in their earthy casualness would balance the costume-y inclination of the dress. Ditto the braided leather belt. With a floaty fantasy kind of dress, a little rough-hewn note helps to ground things. 

*I feel very much MYSELF: not fussy, not flashy, just fresh, natural, understated without being invisible. The energy here is pretty fluid, even though woven linen isn't really a flowy fabric in the same way that knits are. It's muted but not colorless. It's calm and quiet and peaceful --- and I need some peace! It's vintage-y but not a costume, channeling a mood instead of a movie set. Anyway, it's an outfit that makes me feel good as me. 



Yeah. I like this a lot. The dress is kind of sheer, so underneath I'm wearing my bamboo slip --- it's short, but it covers what it needs to cover, and I thought it might be a better choice than my longer cotton slip, which is both heavy and not at all moisture-wicking. 

I also hadn't worn my blue glass beads in a while. I love the color with the dress --- really, I love the color anywhere --- and they work well with this neckline, I think. I love the neckline, too, the little loop-and-button detail. 



Most of the wave has fallen out of my hair overnight. It really is too long and needs cutting, so I think I'll put that at the top of tomorrow's agenda. But it's nice enough in a half-updo today. 

I'm still feeling eaten alive by this mistake in the anthology and am actively taking comfort in getting dressed and not feeling like a loser. I didn't think I'd sleep last night; by the grace of God I did, and physically I feel a lot better today, which always helps my mental health. 

On the other hand, I think I've had a tiny breakthrough in this hexameter poem I've been writing --- seems it's a lot better if I cut out all the odd-numbered stanzas and leave the evens. Whoda thunk . . . 

I hear water running in the bathroom --- guessing we'll be out the door in half an hour. Well: I'm ready. For anything. 

AFTER MASS: 

Beautiful Mass, excellent homily on our need for prayer, fun running into a former student of my husband's --- and Latin-class friend of my oldest daughter's when she was a dual-enrollment student --- who's finished his Ph.D and come back to teach in the Honors College. Ten years have not aged him, and it's great when these children come home from far afield. 




Still wearing the linen dress, because it's cool and what we're doing on this hot day is sit around, indoors and at intervals outdoors. This photo is showing me all kinds of tiny stains I didn't know were there . . . that's the good thing about patterns, I guess. You can always pretend that that spot was supposed to be there. 

Also, a shot of the whole dress without the cardigan. The belt really does improve the imperfect bodice fit. It's really supposed to be one of those A-line princess-seam sweeping dresses with darts, to fit closely through the bodice then flare gently over the hips, and it was clearly made for somebody with a Size 10 bustline, not a Size 8, with more fabric, especially under the arms, than I need. If I wear it unbelted, this is obvious and looks wonky. With a belt, the whole bodice becomes blousier, and the looseness feels like less of a problem. Here you can see that it's an issue, but if I hadn't pointed it out, and if I weren't standing this way, you probably wouldn't. 





Working on the hexameter poem, which is coming into shape nicely --- the first thing I've written in a while that really felt like a poem. I've gone through and honed all the lines to twelve syllables, so it's (roughly speaking) an alexandrine in English. I've never felt comfortable in that meter, but it's been good to start to get my head around it a little.