EASTER 3 DIARY: STYLE AND OTHERWISE (THE SPRING IN MY CLOSET CHALLENGE)


 The iris are blooming this week. It is a glorious sight. 


SUNDAY

What I wore to Mass: 



Getting more wear out of my Easter dress, a vintage 90s linen Liz Claiborne A-line sheath dress bought on Ebay, while it's still Eastertide. I last wore it to the Great Vigil of Easter, with my duck-egg blue cardigan knotted at the waist, and boots, because it was cold. 

Here I'm wearing it with my thrifted teal shirtdress, last worn on Friday in the Octave of Easter, as a duster, with the belt I wore with yesterday's rose-brown jumpsuit, and my thrifted Old Navy fisherman's-sandal wedges. 

More views: 




I pulled the front of my hair back in little claw clips for a half-updo. 

Earrings my husband gave me for some gift-giving occasion, years ago: 



The pink of this dress is right on the edge of being too peachy/orange for my cool skin tone. I'll probably always wear it with some shade of blue or teal to keep from being washed out by it. But I love the dress. The print is beautiful, the linen is soft and cool, the line is graceful. Just as I love the comeback of the 1970s shag, so do I also welcome the return of the 1990s floral dress. We wore some beautiful dresses in the 90s, and I'm happy to see them again. 

I've thought about having the dress hemmed, because as a size 10 it's a bit long on me, but I dunno. In a lot of ways I like the versatility of a maxi dress. I could belt it a little tighter and blouse the bodice more, taking up length below. I could knot it (though with a linen dress, that's something of a commitment in terms of wrinkling and having to iron it later). I did take in the side seams on the bodice just a bit myself, because although it fits perfectly through the waist and hips, it was gappy and too wide up top. It's a lot better now. I'm not much of a seamstress, but I can do tiny things like that. What I don't trust myself to do is to hem something straight, so if I decide to take this dress up at the bottom, I'll have a real seamstress do it. 

I love the loop-button neckline (don't know what else to call it). Pretty, feminine detail without being too extra froufrou. 

As with yesterday's jumpsuit outfit (linked above), I think the varied lines of this outfit make it work. The belt is key here: it gives me a waist, so that I'm not just drowning in a lot of long fabric. Meanwhile, the dress/duster creates some extra length, but the two different hemlines keep the whole look from being boxy. I have light and dark going on, plus the interest of a print. 

I think the aesthetic I had in mind here was something vaguely (but not too obviously) Edwardian, the idea of maybe a driving coat (which is why they were called dusters), or some other kind of loose overlayer over a longer dress to give a fluid movement to the overall effect. OR an Edwardian artist in a smock . . . 

It is funny how when I consider an aesthetic for my clothes, I often think in terms not only of a certain kind of woman (of a particular time and place, though there might be overlap), but of what she's doing, what work she's dressed for.  She's a librarian. She's the American outdoorsy cousin to the mother in Swallows and Amazons. She's either a potter or some other kind of visual artist that I'm not in real life, or she works in some artisanal shop and deals with shoppers in a laid-back kind-but-cool way over the counter. Maybe it's World War I; maybe it's the 1970s. Maybe it's both at once. The time-travel thing is fluid here. Whatever the time period(s), she likes to be outdoors as much as indoors: walking, gardening, reading on the porch. She is the person who, like Lucy Honeychurch, leaves a library book open on the lawn. I guess what I'm doing is inventing a fictional character, dressing her, and deciding to be her, as if I were an actress, only I'm playing a figment of my imagination to which I have given my own name. 

Adjectives that I'd associate with various iterations of my aesthetic: 

graceful

soft

fluid

flowing

unstructured

elegant

natural

active

outdoors

effortless

gentle

I tilt maybe a little bit cottagecore, although I'm not sure I count in that aesthetic, since I wore all the vintage dresses the first time around, when they were new and "cottagecore" wasn't a word. 

I at least aspire to tilt maybe a tiny bit academic, at least in cold weather. If I had a cape, I'd wear it. But sort of romantic academic, not like Dark Academic. I'm a poet, not an orthographer. Steampunk doesn't do much for me, either. 

Definitely a good dose of what might be called Sundancecore. It's been a long time since I last received that catalog; it's been an even longer time since I last lived in Utah. But that kind of Western edge . . . I'm a Southerner, but more of a Western belle than a Southern one. Ranchcore? Pioneercore? 

I have lived in the American South (Tennessee and North Carolina), the American West (Utah), and also the United Kingdom (Cambridge). Certain semi-fantasy elements of all these contexts work their way into my wardrobe. But again, if there's anything I'm really not, it's a Southern Belle. Maybe a Southern Bluestocking, which describes a lot of the women on my father's side of the family, whose genes I seem to have been dosed heavily with in my making. Bohemian Southern Woman Who Belongs to a Book Society – though in real life I don't join things much – might be another character I play. 

It does occur to me that in the outfit pictured above, regardless of any other aesthetic I might be reaching for, what I'm doing is Peak Homeschool Mom. Oh well. I have been a homeschool mom, in fact, for the last seventeen years. I really don't care if that's what people read into my outfit here. I just like long skirts sometimes. 

My style mood board on Instagram (my account is private, but if you ask to follow me, and your name isn't johnqcreeper9753124680, I'll add you). I think the images I've collected on my surfing journeys say a lot about my aesthetic aspirations, if nothing else. Mostly it's about color, though I am paying attention to shapes and vibes as well. 

Feeling all right, anyway, on a beautiful, sun-filled spring morning. 

LATER:

Went thrifting with my daughter again. I took my outbox to donate – there wasn't anything worth selling, though I did also cull my sweaters pretty hard, reducing my stock from two under-bed bins to one, of sweaters I do really wear. I'll reassess in the fall, but I thought that one key to wearing the sweaters I like more often might be to have them all in one bin, so that I see my whole range of choices at a glance every time I'm looking for a sweater. 

I will probably also outbox the Jones New York pink shorts I bought last time we went thrifting – they're just too tight, even though they're a size 10 and I can still wear my size 8 trousers. So I was looking for shorts particularly. Not much going, alas, but I did buy these Gap bermudas in sage green: 



These are a 12 and fit pretty well, if a tad on the large side. That's better than being too tight, at any rate. They are very nice shorts, too, though I'm not sure I like them that much. This outfit felt pretty meh. 



I feel like a tiny head on a big body, not my favorite feeling at all. Maybe it's just the tucked, draped tee, normally a good move but not doing me any favors here, since the fullness happens at the waist and continues in a downward trend. I don't have any statementy kind of jewelry that would draw the eye up and add interest, or any other accessory that wouldn't feel fussy and drive me up the wall if I tried to add it. 

I'm going to hang onto these shorts and see whether I actually wear them and if so, what might work with them. I might cut them off some, because I'm not sure the length is so great. Again, though, they are really nice in terms of quality, and I like the color. They went into the drawer, not the outbox. 

(Later thoughts: I might try them with the chambray shirt below, or another button-up loose shirt that I could half-tuck. I think the tee here, in addition to saying Look at my hips, is just not interesting enough with the very basic shape of the shorts. Too likey-like. The shorts might also work with, say, a blue gauze Indian tunic I have, either tucked in or worn out. Anything flowier, funkier, folkier, girlier. I think the basic, functional tee was a mistake with the basic, functional shorts. Just boring and blah, and you can tell by my face that I felt that way. I did not keep this outfit on.)

Still on a quest for some higher-waisted fuller-leg shorts. 

I also bought, of all things, another pair of pink joggers (see my disquisition on my original pink joggers, Tuesday of last week). 



I like these! For one thing, they're a dusty rose pink, not pastel-candy pink. The fit is slimmer, the material lighter than my others. They're still bulky through the hips – there is just no way joggers are going to be all that kind to anybody with hips. But I pulled out my soft thrifted chambray shirt, which I like to wear tied like this anyway, and with my funky old Florida Birks, I think it works. I should probably tuck the drawstring in. This outfit I did keep on for the remainder of the evening. 



I also bought a pink t-shirt-weight hoodie which I'm not wearing now because I'm about to make dinner, and I'd be sure to splatter something on it that would never come out. 

Here's another if-Johannes-Vermeer-were-alive-now moment: Woman Taking a Picture of the Back of Her Head. 




I like this as a photograph, though if you wonder whether I tire of myself as a subject, the answer is, perhaps surprisingly, yes. But compositionally, it works: the relative brightness of my hoodie (a gift from my mother two or three years ago, which I wear almost daily, but almost never as part of an actual outfit), everything else fairly neutral. There are my towels stacked in a wooden box on a table, because this bathroom doesn't have a linen closet. And there's some of my unreflected hair, in the upper left corner. AND the obvious meta business of the image on the phone screen. 

Note to self that I like my hair braided, and that it's not somehow a waste of nice clean hair to wear it this way if I feel like it. 

Also: 



Here is a dead snake somebody found after Mass today, brought home in a sandwich bag, and thoughtfully left on the kitchen island. It's the little things. 

MONDAY

Oh, hey, how about another style challenge? 

This week: SPRING IN MY CLOSET

That is, don't. If you must spring, go do it outside where there's more room. 

The challenge on Instagram, meanwhile, goes like this: 

Monday: Spring color combos

Tuesday: Spring prints

Wednesday: Spring layers

Thursday: Spring dress/skirt

Friday: White for spring

I have to admit, I like these challenges. This one seems like what I'd just do anyway, but it's good to have a prompt for the day, to make me dig about the closet a bit more. A challenge also means that I plan ahead, at least a little, which makes daily dressing a matter of putting on what I've already thought through, rather than a source of decision fatigue and defaulting. 

Thoughts I'm having on the front end, while drinking my morning coffee:

* I want to try again with those shorts I got at Goodwill – if it gets warm enough. Highs this week are high 60s to low 70s, so it won't be actually hot, and I'm not sure I want to commit to shorts. Still, that green seems pretty springy, and I can wear it with any of a number of more feminine tops in blue or pink or white. 

*Meanwhile, if I didn't want to wear shorts today, which I'm not sure I do, I can wear my duck-egg-blue crop jeans, maybe with my green tee, last worn in last week's No-Boring-Clothes challenge for "monochrome Wednesday."  Or with something pink, like possibly the light hoodie I bought yesterday. 

*I'll wear my thrifted Liz Claiborne skirt for a "spring print" on Tuesday. OR the skirt I'm meditating for Thursday (keep reading). OR the silk floral kimono hanging in my closet, which I haven't worn since high school, at least (I've owned it virtually all my life, having gotten it from my grandmother), and which I rescued out of the dress-ups box some time back. I could wear that kimono over just about anything and look springlike: a thought. 

*Wednesday will be a good day for light layers, since the high will be only 63, with a projected low of 34. Ideas might include my duck-egg blue cardigan or my denim jacket. 

*For Thursday's prompt, I have a number of dresses or skirts I could possibly wear. Making a note to myself to consider a particular floral skirt I haven't worn since last spring. Of course, it does occur to me that I could wear that on Tuesday, and I might well do so, in which case I'll wear a dress on Thursday. 

*White will be hard, since I have only white tops, no white bottoms or dresses. I'm actually a little afraid of wearing white, since I'm sure to get stuff on it. I don't generally wear an all-white outfit – in fact, I can't remember ever wearing an all-white outfit since my wedding, 31 years ago. But on Friday I will make myself wear something white, and it will be good for me. 

**Incidentally, I had started out this year, after a little burst of acquisitions in January, thinking that I'd largely have a no-buy year. And . . . yeah, well, if you've been following me at all here, you'll see that that has not been at all what has happened. 

Not that I'm just madly buying clothes right and left. I'm really not. And since January, I haven't bought anything new at all. It's all been thrift and Ebay, which is something I feel fairly committed to (exception: I did recently buy two new bathing suits, to replace one I'd had for about ten years). 

But I think that what this year needs to be is a replacement-and-curation year. I guess it makes sense that as I'm trying to hone a clearer idea for a range of aesthetics for myself – colors, shapes, moods, influences – that I hope will carry me at least through the rest of what we euphemistically call middle age (which it is if I'm going to live to be 113). 

I am trying to buy things that will last me. I'd like to get to a point where I can make some investment purchases, as I did with my Doc Martens last year, but not much else. In the meantime, I'm trying to choose secondhand items from decent brands, in good materials. 

I am in the process of replacing things that are wearing out. A lot of what I sent in for donation yesterday was stretched out, pilled, too small,  developing holes, or stained. These items can go for rags, in other words, if nothing else. I don't expect poor people to wear clothes that I don't think are fit to wear – though people do upcycle things in remarkable ways, so that I hesitate ever to say that something is completely beyond use, especially if it was decently made to begin with. Meanwhile, some of it simply wasn't flattering to me, though it would be to someone else – I've been systematically culling boxy cardigans that hit right at the hips, for example. Some of it I just didn't wear, and it was taking up real estate in my closet, drawer, or sweater bin that could be better utilized by things I do, or potentially will, wear. 

This will probably go on for some time, since I can't just go to the thrift store and find a 1:1 replacement for that one smocked periwinkle Loft top (last worn on Palm Sunday) that I adore, that has developed a pattern of tiny holes that I hope nobody notices. That top is going to have to go sometime soon, but for now I'm hanging onto it, until I can find an equivalent replacement in better shape. 

What I'm trying to say here is: this is not a no-buy year. Instead, I'm trying to set myself up for a no-buy year, a prospect that seems easier when I consider that from this August on, my youngest daughter will be away at college, so there won't be as many thrift-shop-bonding occasions happening. And yes, that makes me cry, and it might well be the case that thrift-shop bonding becomes thrift-shop therapy for a while. 

But I would like to get to a place where my wardrobe basically makes me happy and includes anything I need for virtually any occasion, with the same pieces working to dress up or down as needed, so that I don't have MORE, I just have MUCH in what I have. According to Nat Tucker*, wardrobe creation is a two-year process. It seems worth it to me to take my time, but to be moving steadily in the direction of a closet of clothes that I know will make me look good, so that I don't have to worry about whether I look good, and so that I don't feel that I have to buy more things. I could set myself the goal of a no-buy year and really stick to it, without feeling deprived or over a barrel. 

*Whether you like her personal style or not, her general principles are very helpful and applicable. After a while, if you follow Instagram accounts related to her program, like Colour Science, you do start to notice certain style tropes among the women who participate in her paid-membership Boss program. At least part of this is a function of the fact that they're mostly in Australia and shopping at the same stores, and have bought a lot of clothes which Nat Tucker designed herself. I really like those clothes, as it happens, and it's interesting to see how the different women wear them differently. Still, you start to recognize certain pieces and certain looks. All that to say: you don't have to own any of those pieces (I don't), or even want to look that specific way, for the larger, common-sense ideas to work for you. 

That goal of not worrying about whether I look good is absolutely key. I think that's what personal vanity really is: crippling self-consciousness. If I look in the mirror a lot, or take many pictures of myself, it's not because I want to worship myself. It's because I want to remind myself that I'm okay. It's anxiety and insecurity, not self-adoration. More and more, actually, I think that's how sin works in our lives: not as that bad thing you did, or even that bad thing you are (Thomas Aquinas, for one, will tell you that you are not a bad thing, because you are a created thing, and the creator does not make bad things). Instead, it's more like being in prison. I hate feeling self-conscious. It's a kind of bondage. And yes, God's grace in confession is a key ingredient to getting past it, because I can't do it by myself, but if grace builds on nature, in Thomas's famous phrase, then it seems to me that the way that that happens is our cooperation with grace on every level, including whatever it takes to move the cripplingly self-conscious person out of that self-consciousness. It's a process that involves some level of self-awareness, hence all the navel-gazing. 

My end goal is to move from self-consciousness to more outwardly-focused generosity of spirit: to have something of myself to give, reliably and without angst. It might sound silly, and even like rationalization, to include something as superficial and material as clothing as part of the process of getting to that place, but we are, as it happens, material beings as well as spiritual. There's a word for thinking you're meant to be a disembodied soul; that word is gnosticism. If you're a Catholic, you know that the body matters, and that it is meant, in the great scheme of things, to be integrated with the soul, not at war with it. That's why stewarding your health matters. But it's also why your clothing matters: not as a way to hide the body, as something to which you attach shame and guilt, and not again as some kind of idol. It matters because if you choose it well, so that you feel good and beautiful in it (which is not wrong, a thing I wish I didn't have to say), then you have done some soul-care that enables you to get past yourself. For people in religious life, the habit takes care of this, but if you're not in religious life, then I think this is a good and integrated way to think about attire and self-presentation, in the whole context of your own lived vocation. 

I also think it's good, obviously, to be modest in your spending on clothing, relative to your overall budget, and to do what you can not to perpetuate the the worst of the fashion industry, where human trafficking and slave labor contribute to the production of too many of the things on offer for us to wear. I'm in no position to be judgmental about this – I hope that if I were in a position to judge, I still wouldn't. Our control over the world we've inherited, including its various economies, is limited. Given contingencies which we would never have chosen, we do the best we can. But it's important to know, as far as we can, what lies behind the various choices before us, and to use our prudential judgment to proceed as morally as possible, with the remotest possible level of cooperation in known evils. 

All of these things are things I think about regularly. They're relevant – they have to be – to my current state of wardrobe curation. There has to be some end goal besides just having a bunch of stuff. In fact, my goal is precisely not to have a bunch of stuff. We live in an old house, and my closet is small. My wardrobe is contained in: that small closet, two drawers in a bureau, and one under-bed bin. It really can't outgrow those boundaries, especially as we'll almost inevitably be downsizing hard sometime in the next ten years. The day my husband retires is the day we stop affording our current house, sadly enough (but also, it's a big house for two people, especially assuming that one day all our children will in fact reclaim everything they want out of it. As much as I love it, I can imagine feeling so overwhelmed by it in the end that all I want is to escape from it). 

I don't even want a walk-in closet (unless I'm going to put my bureau and my bin in it, and maybe even make it my workspace, and even then . . . I dunno, that amount of storage space sort of scares me. It feels like a mess just waiting to happen). As it is, I feel I have more clothes than I can wear – though this may just be a function of my long-standing habit of wearing the same two or three things over and over. These style challenges are helping with that – I'm learning to wear more things,and to enjoy having something new to wear all the time, without necessarily having to go shopping for it. My goal is to have a small, contained wardrobe that offers me that "something new without shopping" all the time: things I love, feel good in, and look good in, for any occasion, without ever having to set foot in a shop. 

My closet as of right now, including three formalwear items which I plan to keep and tweak according to the demands of an occasion: 



That's . . . let's see . . . here's my overall inventory, including closet, drawers, and sweater bin: 

*3 formal dresses 

1 champagne midi

1 slaty blue midi

1 midnight blue long (rescued from the dress-ups box)

*13 other dresses 

My goodness. I had no idea I had 13 actual dresses. 

1 maxi 

pink floral

6 midi 

1 pink floral jumper 

 1 teal A-line travel dress

 1 navy sheath dress 

 1 navy fit/flare

1 light indigo shapeless dress

1 black A-line travel dress (for choir, mainly)

6 above the knee 

1 purple pattern 

2 gray (tee dress, empire-waist knit)

3 blue (bleach dyed empire waist, smocked tiered jumper, teal shirtdress)

*6 skirts: 

1 bright pink tiered midi

1 sage-green twill  midi

1 blue/green floral midi

1 blue/green/purple midi

1 blue/teal/lavender maxi

1 pink floral maxi  

*22 (?) pairs of pants: 

1 blue denim bootcut jean 

skinny jeans in 

1 charcoal gray 

1 red 

1 sage green 

1 eggplant purple 

1 duck-egg blue crop  

joggers:

soft pastel/candy pink

rose pink

stone/green satiny finish

charcoal gray wide-leg

wide-leg drawstring: 

sage green

light stone/off-white/bone

*3 shorts: 

1 brown

1 sage green

1 light stone/off-white/bone

*9 leggings 

1 charcoal gray

1 light gray

1 navy

1 magenta/rose

1 brown capri shapewear

1 teal thermal

3 black

*34 tops (not counting half-tees for layering)

5 woven button shirts: 

1 teal velour collarless

1 midnight-blue/green patterned velour

1 light chambray

1 denim collarless

1 royal-blue pucker fabric

5 long-sleeved tunic-length

1 aqua flowing 

1 indigo-white tie-dye

1 soft grape

1 A-line burgundy

1 gray boat-neck with curved hem and pockets

1 short-sleeved tunic-length

1 A-line blue/brown geometric print

3 long-sleeved tees

1 teal lace-bottom

1 purple lace-bottom

1 soft blue scoop-neck smocked

1 long-sleeved snap-up tee/cardigans

1 periwinkle

1 long-sleeved no-button blouse

1 white lace-yoke

2 long-sleeved hoodies

1 pink tee-weight

1 gray linen

9 short-sleeved tees

1 army green

1 indigo/white tie-dye

1 indigo/dark-indigo tie-dye

1 v-neck navy

1 pintuck flutter-sleeve navy

1 scoop-neck embroidered navy

1 royal blue

1 soft rose/purple knot-hem

1 rose pink v-neck

7 sleeveless/tank

1 navy-white geometric print

1 pale blue

1 periwinkle smock-neck

1 plum smock-neck

1 soft pink lace hem

1 white gathered-neck

1 white pintuck, curved hem

*13 sweaters

3 pullovers

1 gray/black asymmetrical microfiber

1 royal blue cotton ragg-knit cable

1 pink ramie/cotton lightweight 

11 cardigans

1 apple/grass-green boyfriend

1 taupe lightweight boyfriend

1 duck-egg-blue cotton hip-length (good for knotting)

1 light periwinkle gray butterfly-sleeved delicate knit (fits weird)

1 mid-heavy gray drape 

1 beaded gray above-hip 50s-style 

1 gray patterned duster 

1 royal blue heathered duster 

1 rose/soft-grap fuzzy duster

1 light-blue shrug

1 periwinkle blue open-crochet hip-length 

1 plum cable-knit v-neck hip-length 

*Jackets/coats

1 gray wool peacoat

1 chocolate-brown suede peacoat

1 teal long quilted coat with faux-fur-trimmed hood

1 moss-green corduroy blazer

1 nubby gray-white knitted cardigan/blazer

1 jean jacket

I won't bother right now with scarves, although I have them in various shades and patterns of blue, purple, white, seafoam green, etc. 

I also won't bother with bathing suits, nightclothes, or undergarments. Just assume I have an adequate supply of those things. 

All of this is the inventory I have to work with, and while I know people with several magnitudes more clothes than I have, frankly it seems like a LOT. If I can't get dressed out of this abundance for any occasion that might arise, then heaven help me. I really could have a no-buy year if I needed to, honestly, though again, some things are on the edge of being too worn out to wear. 

Um, anyway, it's still Monday. 

It's going to be 73F today, so I did decide to try the green Gap shorts again. As you might recall from Sunday's rumination, I think the reason they weren't working with the tee I had chosen was that all the pieces of the outfit were too utilitarian and possibly, despite the pink, maybe kind of masculine. My feminine body, with its life-giving hips and thighs, was not flattered by all that. 

Today I thought I'd try pairing the masculine shorts with some more feminine pieces. I pulled out my favorite thrifted Loft smocked periwinkle top – a color I love and look great in, with feminine, Edwardian-type details that aren't too extra, as they say. I love this shirt and dread the day when it really does comprehensively fall apart. These shorts are a tiny bit loose and apt to ride down; all the more reason for a belt. I picked this pale-pink scalloped belt, an old one from Walmart. Nothin' fancy. Or ethical. But there it is. 



First of all, I definitely have spring colors going here. Right now in my backyard the bluebells are having their brief season, and this top is their color. 


The green of the shorts isn't the green of this foliage, but it's a soft, tender, un-muddy green. The muted play of these three colors, periwinkle, pale dusty pink, and sage green, feels marvelous to me. Exactly my zone. 

As far as the week's style challege goes, we're winning so far. 

This also, to my mind, represents a really positive tweak on the outfit that didn't work yesterday. The softness and smocked detailing of this top work so much better with the basic, utilitarian shorts than the plain, rather boxy v-neck t-shirt did. Even the slimmer, more curved straps of the Birk Floridas are better than the plain EVA Arizonas I was wearing. 

Wearing my hair down works better here. Yesterday I was complaining that I felt like a pinhead on a big body. Part of that effect, obviously, was that I'd braided my hair. More hair volume, on the other hand, balances out the whole silhouette. If I did opt to put my hair up today, as I might later on if it starts to bug me, I'd go for a looser ponytail, maybe flowing over my shoulder. 

It is still kind of chilly this morning, so I tried a couple of cardigan options with the shorts-top base pictured above. 



I have worn the heck out of this big furry cardigan, which I bought at Goodwill sometime early last fall. It's a little bulky, maybe, and maybe a bit too much of a season-clash. At least the color is springlike, which was the prompt. For schlumping around the house, doing my normal writing work, until the day warms up: fine. I did cuff the shorts an extra turn, just so that the hemlines wouldn't be exactly the same. This is all okay. 

But I also tried this: 



Smiles, everyone! Smiles!




Thrifted also-periwinkle-but-lighter-and-bluer Pierre Cardin cardigan in this lovely open crochet pattern. I always get compliments when I wear this cardigan – it just is pretty. Again, I think the feminine delicacy of it plays well with the basic shorts without making me look too Grandmacore. And again, I think wearing my hair down is the right move. It often isn't, as I reflect. I have voluminous hair, and too often I've left it that way, and it's been too much for the whole silhouette. But today it feels like the right balance. 

I could wish the cardigan were shorter, so that it fell right at my waist. I have been knotting it a lot when I've worn it with skirts. Not sure I'll bother today, since I am wearing a belt, and it's a fairly drapy cardigan. Also, I keep being cold, so I might very well put the big furry cardigan back on. (Which, in fact, I did). 

Today's to-do list: 

*finish the essay I didn't finish Friday (Bruce Beasley): DONE 

*begin research for the next essay (Angela Alaimo O'Donnell): SORT OF

*look at poems and maybe try a form exercise for myself: REVISED A DRAFT

*read something related to fictioncraft: DIDN'T HAPPEN

*take a walk: WALKED TWO MILES WITH MY ROSARY AFTER SUPPER

*eat, because I forget, and that's not good.  At this very moment I'm having leftover ham-and-chickpea salad for breakfast: two cans of chickpeas, diced leftover ham  – maybe half a cup, maybe less – diced red and yellow peppers, diced boiled egg, salt, pepper, and onion powder. This ham-and-chickpea salad is what we had for dinner last night. The key to my eating during the day, I have found, is to have made something for dinner the night before that a) has leftovers, and b) is easy to eat without needing to be heated up. Or to have tortillas on hand and make either a scrambled-egg wrap or a quesadilla. OR for the Ninja to be clean so that I can make a smoothie. If it warms up enough, I might have a smoothie for lunch, though I probably won't be really hungry for lunch until almost time to start making dinner. DONE

The dead snake, pictured above, remains on my kitchen island. Another to-do item for today is to confer with the proprietor of said snake, in re. its ultimate destination. The kitchen island is but a wayside stopover. Besides, it's starting to smell. 

Also, my first-ever publisher's advance came in the mail today. That Is Something. 

TUESDAY

Projected high of 73F today, with a low of only 52: lovely weather. 

Today's Spring in My Closet Challenge prompt: spring prints. 



I went for the skirt I'd originally thought about wearing on Thursday. I hadn't worn it in some months, and it is a spring print for sure. This is a thrifted item (Christopher Banks label) that I've had for at least five years. It's linen or some kind of linen blend (doesn't wrinkle quite as much as I'd expect pure linen to do, but I need to look at the label to see what it actually is), and however old it was when I got it, it's held up really beautifully over the years I've owned it. It's nice with boots and a sweater in the very early spring, too, when the weather is cold and gross and you're longing for sun and flowers. 

Worn with: thrifted 9West denim band-collared shirt that I've worn a lot lately, and teal Crocs Alice shoes that I got on Ebay about a month ago, just to make a change from Birks and other sandals. 

I like the casual-dress-mom vibe here. 


 Day 4 hair, which I plan to wash tomorrow. It's pretty straight right now – I actually like the silky no-frizz action and was going to wear it loose, but it felt kind of blah. I decided to change up the silhouette by reducing the mass of my hair in proportion to the rest of the outfit, first in a low ponytail, which also frankly felt okay but kind of blah, not polished enough even for the relatively casual look I was going for. 



I like low-effort, but then there's the appearance of no-effort/didn't care. I do like my bangs, though (today, anyway), and like how pulling my hair back emphasizes them, with the little side bits. 



I tried the ponytail even lower, which is supposed to be a sleek, sophisticated look, and just is not on me. At least, it doesn't feel that way. Okay with overalls or something (not that I own overalls right now, but I'd like some, and I can see the low-ponytail-dangly earrings thing with overalls and a tank and Birks), but somehow not with this outfit. 



So I went for a braid again. The layers in my hair, which I generally like, make the braid tassel look a little ratty, but the relative sleekness of a braid feels more right somehow than any of my other options, even given the sunken, shadowed eyes of the late-50s woman in imperfect lighting. 

Also, I have really not worn these little velvet scrunchies nearly enough. I forget that I have them most of the time. But the range of colors, including this midnight blue, is very pretty. 

I keep fantasizing about cutting my hair shorter, like maybe a French bob or something, but I like being able to braid it. 




Maybe it's the denim that tilts things this way in the outfit. I have worn this skirt with a royal-blue tee and with a washed navy scoop-neck embroidered top, but never with this more masculine/rugged kind of shirt. Now that I think of it, sandals or boots would probably work better here, and I might change, though I wanted to wear these cute little shoes. 

I might save the shoes to wear with skinny or cropped jeans. One look I had in mind when I got them was the mid-80s look of straight high-waisted jeans with flats, a feminine top (sweater over delicate tee) and pearl necklace, and maybe a trench coat (not that I have one) over the top. I remember meeting a girl in the street in Oxford in 1985 who was dressed this way, and thinking: now that is a look. At the time, I was wearing, with my jeans, a big Scottish men's sweater that I'd bought while traveling and my clunky American sneakers, and next to that girl I felt bulky and mannish and instantly about 40 standard deviations less attractive than I probably already was. 



1985 me in Scotland, though I wasn't wearing the giant sweater that day. (photo credit: my lifelong friend and erstwhile travel companion, Jennifer Alexander Delp) 

In fact, when I consider my "spring layers" prompt for tomorrow, I might keep that look in mind. As I say, I have no trench coat and no plans for acquiring one, at least not between now and tomorrow. But it's going to be cooler out, and I think I could pull together some elements of that look, which still, in memory, strikes me as so feminine and effortless and artful. 

UPDATE: 



Sandals: Crocs "Sexi" thongs from two years ago. Instant improvement. I can't really articulate why, but I feel simultaneously more casual yet more – somehow – sophisticated. I think Mary-Jane shoes, which I admittedly have always loved, either need to go with something really consciously "schoolgirlish" in an over-the-top way, or else with trousers. With a skirt like this they read too much like the third-grade music teacher who made you clap out the rhythm to everything (though mine wore saddle oxfords with plaid dresses, a weird sort of Catholic-school-girl vibe for 1973 in a non-Catholic girls' school, now that I think of it). Among other things, the sandals seem to elongate the line of my leg and foot, which helps with a midi skirt, especially when your body type does not read as "elongated" at all. 


Garden flowers on the dinner table tonight: Solomon's Seal and purple salvias, against a varied backdrop of kitchen-wall art. 




I love the way the tallest salvia just seems to melt into the picture behind it. What I was really going for, in any event, were the little drop-bell flowers of the Solomon's Seal, which are here so fleetly and are so beautiful. 

WEDNESDAY

Spring in My Closet Challenge prompt: spring layers. 

Highs today in the low 60s, with a freeze warning for tonight. It's a good day for light layers, to which I will undoubtedly add more when the sun goes down. 

I wasn't sure what I wanted to wear today – had a number of ideas knocking around in my head, and gave myself permission to take some time to experiment. Obviously this is a luxury attached to working from home. Still, I know that for the busy person with a job outside the house and a hard start time, this manner of starting the day is hardly workable, except on weekends. It is helpful, though, from time to time, as you have the time, especially when you have some new items and/or things in your closet you haven't worn and want to rediscover. 

One thing I wanted to work with today: 


This dress, which is exactly the kind of thing I am committed to not buying anymore. It is, if you can believe it, from the Walmart Time&Tru line, which I found last fall on the clearance rack, priced at $5, and bought without even thinking twice. 

And – I know. I know. I've meditated before on the ethics of buying Walmart clothing. (that I'm going to shop at Walmart sometimes for some things is a given, because there aren't a lot of other choices around here) But this is a 100% cotton dress, lightweight enough for summer, but good with boots cardigans, and blazers in the winter. I bought it because it looked like a piece I would wear a lot. 

As it happens, I didn't wear it that much over the winter, mostly because I was wearing lots of other things, some of which I've now culled out. I am down to three navy dresses in distinctly different moods: the fit-and-flare Talbots dress I wore on Tuesday of Easter Week, my little washed-navy/indigo swingy t-shirt dress which last saw action last Monday, and this one. 

Navy is a good dark neutral for me – it's what I wear instead of black, unless I really can't avoid wearing black (as for a choral occasion when the director has mandated all black) – so it makes sense to have a few different dress shapes in navy to dress up or down. The Talbots dress doesn't slum all that well. I came home from the funeral we'd attended last Tuesday and put on Birkenstocks because I couldn't be bothered, but really they don't work with that dress. It's too tailored and structured in its shape, and although it can be dressier or more casual, depending on what you pair with it, the clunkiness of the Birks was really out of sync. I CAN wear it with the Crocs thongs (seen yesterday, and featuring again today), because the sleekness of those minimal sandals is more in sync with the line of the dress. 

Meanwhile, this sheath dress is remarkably flattering. I'm always surprised by how flattering it is when I put it on, especially given where it came from and what I paid for it, and the fact that I don't have a particularly toned body. 




I mean, obviously, how you stand matters. If I stand like this, I feel almost like a pin-up girl. A straight profile, on the other hand, is not going to look like this shot, where the un-flatness of my stomach is more or less camouflaged. I don't own any shapewear, but I could see being kind of tempted to wear some with this dress. As it is, waist-high briefs underneath make for less of a line or a bulge. I have worn a soft knitted microfiber full slip under this dress, too, for a smoother look, though I can't envision doing that in the heat of the summer. 

Overall, though, I like the shape, the neckline, the brighter navy, the weight, the potential versatility of this dress as a core wardrobe piece. For $5, I still think I will get a lot of wear out of it, especially as the weather warms up. 

Today's prompt, again, is layers, so I was thinking of the dress as a base. I wear dresses and skirts a lot in the spring and summer, whether a prompt or an occasion specifically calls for a dress or not. Here in North Carolina the summers can be pretty swampy, even close to the mountains as we are. I just love the coolness of light, breathable fabrics that don't touch my skin directly in too many places, and I love sandals. A light, soft little dress and sandals is pretty much my uniform in the summer, unless I'm going hiking. Occasionally, a little soft dress and sandals are what I wear hiking, too. 

So: a dress today, and another dress or skirt tomorrow. It's the way it goes. 

But these layers. Now, the other day at Goodwill, I'd found a t-shirt-weight pink hoodie which I bought without trying on, because you can't try anything on. It was a large, which I figured would work – oversized in ways that could be useful, without swallowing me alive. 

And. 


The fit's a little weird. It's very straight and less drapy than I thought it would be, and there's some odd extra width in the shoulders. I'd thought of treating the navy dress as something like a pencil skirt under a top layer, but this top layer is not it. It hits at the wrong place, but doesn't have enough volume to be belted, which had been my thought (I'd forgotten about the kangaroo pocket, too). 




This look would work really well on a person with the opposite body type to mine: the inverted triangle, where the body's width is in the shoulders, with virtually no hips. On that body type, this ensemble would be sporty, cool, and very cute. On me, with my pear shape, not so very much, and all the wishful thinking in the world will not make it so. 

I like the hoodie. The color is exactly what I was looking for, and I think I will get a good bit of wear out of it – just not with this dress. Not today, thank you. 

Next attempt: thrifted J.Jill light sweater with a loose, boxy shape. I've had this for years and not worn it nearly enough. It tends to get lost at the bottom of my sweater bin, though I hope that culling that collection hard, as I did the other day, will help keep things like this more in my line of vision. 

To work as a layer with this dress, any pullover sweater is going to need to be nipped in at the waist somehow. Otherwise I just look like a big ole wide plank with a teeny little head on top. 




This is getting somewhere, especially with the addition of the Crocs thong sandals. Getting kind of a Roman-tunic vibe here that feels both simple and kind of graceful.  I pushed/rolled my sleeves up for more negative space – something I've always instinctively done, that my mother used to yell at me for doing when I was in middle school, because she thought it looked sloppy and would ruin the shirt, sweater, or blazer that I was doing it to. 




A closer shot: 



This sweater is like ramie and cotton or something Maybe a little linen. It's not as soft and flowy as cotton, but it is so lightweight that it almost always needs something under it. It's thin enough, just barely heavier than t-shirt weight, to take being belted. 

This is Day 5 hair, and I'd normally wash it, but I slept really badly and woke up later than usual, so I didn't want to bother. I had thought I might try another updo, anyway, and I never do that when I've just washed my hair. This seemed like a good opportunity to practice that habit, of putting my hair up when an outfit might call for it. 



Actually I think it works reasonably well either way, though at this stage my brushed-out hair is kind of shapeless worn down. This is just one of those pull-through-ponytail styles: I made a ponytail with a coil hair-tie, divided it above the hair tie, and started to flip it through the resultant opening in the middle, but just stuffed all the ponytail ends inside the flip, if that makes sense, instead of pulling the ponytail out at the bottom.  I fastened it the opening shut with a claw clip so the ponytail wouldn't work its way back up and fall out again the way it had come. I don't have a shot of the back right now, and honestly, I might not leave it this way. But any kind of updo, especially if it's not just a ponytail, makes it look like you tried, so that your look is automatically a little more polished than if you hadn't. 

The morning-after face of insomnia. My bangs are kind of wonky, and I might spritz and diffuse them. I am not going to bother with makeup, but on a day like this, I can see why you would. I am grateful to be wearing colors that are kind to my skin tone, though, even in this admittedly weird lighting.



Right now I'm sitting in the kitchen with just the screen door closed, and it's kind of chilly. I might or might not change at least something about my outfit before too long, but for now I need to get my head into my work. Writing stuff like this makes for a good warmup, now that I think about it. Start with clothing criticism, move to literary criticism. Works for me. 

LATER: Some updo shots. I still don't know how people take good pictures of the backs of their heads, but I tried. I had to crop these down a good bit, so they're a little hazy, but maybe you can get an idea. 








I like the fullness of the silhouette in back. And this feels like a fairly secure updo, which is key. One of the reasons I've never worn my hair up much is that it's extremely heavy and stiff/coarse in texture, and it responds to gravity. I can't stand the feeling that it's about to fall down, and I can't stand dealing with it when it is falling down, especially when I am relying on its staying up and out of my way. I also hate hairspray. But this cheap little claw clip is really strong, and it seems to be holding it all together just fine. I would love, someday, to invest in some silver claw clips: some really little ones, but also at least one in this useful medium size. 

I love rolled, braided, twisted updos – anything romantic and vaguely "vintage," though what vintage, exactly, we're talking about, I'm never sure. Edwardian, maybe, or 1918-20 – the period right before the flapper era when everybody cut their hair off. Maybe sort of 1940s, except that I have 1970s "bangs with bits."  At my age, at any rate, with my dissolving eff-years jawline, I don't need to do anything too swoonily period-costume-like, but something simple yet kind of graceful (that actually stays in place) makes a nice change. 

Even later: 



Predictably, I got cold sitting here working. It's nice outside, but breezy with a front coming in, so not as pleasant as it might be. I decided to switch out sandals for sneakers, and believe it or not, this thrifted duck-egg-blue Loft cardigan from a year or so ago is warmer than the light sweater I was wearing. It's also nice to see what else I can do with this dress, which I am liking more and more as the day goes on. As much as I want to switch out details, I'm not tempted to change my core layer. 

Hair updo still holding, even in the wind. 

Going out of town this weekend, so have been working on a capsule travel wardrobe for four to five days. I haven't included this dress in that capsule, but I could definitely see it as a capsule's core piece. 

Making progress on the anthology project. I really do think about things other than my clothing. 

THURSDAY

It's "spring dress or skirt" day in the Spring in my Closet challenge – not that I haven't been wearing skirts and dresses all week. 

Today's cooler-weather ensemble: 

 

Thrifted Liz Claiborne long floral skirt from Palm Sunday thrifting spree. Thrifted Gap gray linen hoodie from a long time ago, over thrifted pink lace-bottom tank, last seen on Divine Mercy Sunday (with the same skirt). I could have ironed the hoodie, but I didn't. Gray-green Doc Martens for a little grunge edge to the outfit – or maybe it's a grunge outfit to which the skirt adds a dose of cottagecore contrast. Who can say? Or maybe I'm just suffering from Homeschool Mom Disease again, not that there's anything wrong with that. 

Day 6 hair in a braided bun. I braided it a little higher on my head than I'd normally do, then tucked it under and secured it with a rose-pink velour scrunchy. I'm also glad to see scrunchies come back – large and poofy or small and minimal, they are such a useful item and gentle on your hair. I used to live with my hair clipped back in a metal barrette, which broke the hair off in that spot. Now when I want to pull it back or put it up, I use coil-type hair bands like Invisibobble, or soft scrunchies, or claw clips, all of which are far less likely to cause breakage. 







Very 90s ballet class, but it works for me. I will wash it tomorrow so it's clean and ready for the weekend, when I'll be traveling. 

More looks at the overall outfit, which I like and feel good in. 





I like the drape of this linen hoodie a lot more than I like the fit of the thrifted pink jersey hoodie I bought the other. I tried that hoodie with this outfit and . . . meh. I still might hang onto it, but so far it's been a strikeout. The gray linen hoodie is boxy, but doesn't hang in a straight line or cling to the body, which I think creates negative space, ie the illusion of depth, which can be flattering in the same way that a tucked, draped top might be. It's more or less the same as the illusion of your body not taking up that  much space. With the fairly straight, body-hugging skirt, the effect seems slimming rather than not. This would be awful with a heavy wide skirt, like my sage-green one, last seen on monochrome day of last week's style challenge. It's not great with jeans, unless they're really skinny (which apparently we're not supposed to be wearing anymore? Sez who?). I suspect it wouldn't be magnificent with a shorter skirt – parallel lines too close together. But with the long line of this skirt, I think it works. It's so easy for me to feel dumpy, but in this outfit, I don't. 


That's not to say that I'm not old, because, Reader, I am. And I plan to get older still. And wear Burt's Bees pomegranate lip balm till I die. 

FRIDAY

It's cold. I brought all the houseplants that were still outside back in to keep them from freezing. Out in the garden, I hope my grapevine's one hopeful leaf isn't withered. 

I don't know that I'm going to wear any white today for the Spring in my Closet Challenge. I have three white shirts, two of which are sleeveless. That's it. And it's cold . . . we'll see. Right now I'm huddled at the kitchen table in various layers thrown over my nightgown, drinking my coffee and thinking about it all. 

I slept with my hair in two braids using these fun tiny scrunchies I found at Walgreens the other day: 


The other one is pink, and I think I'm in love. Gotta acquire some overalls and embrace the full grunge . . . this could be good hiking hair for the summer, too. Am I too old to get away with it? Do I care? 

Anyway, I think the scrunchies are cute. I'd like to get another pack, so I can have matching pairs, but really, I like this mismatched look just as well. 


Meanwhile, I have read this very good essay by the poet Mischa Willett on the making of poems. My own process recently has been to start with a form, but taking down books and reading until something strikes fire is an excellent way. I haven't quite been doing that in the course of the anthology project, mostly because my first object has been to strike some prose fire, as well as to make decisions about poems to include for each poet (and I wish we had room to go on adding poets, because for every one on my list, I can think of three more whom I wish I could add . . . ).

In a weird way, I think all of this – what we breezily call the creative process – explains why I think about clothes the way I do. I always have, though I haven't been especially good at it. There is a craft involved in dressing well – however you want to define dressing well, and there are obviously lots of genres here – and it's interesting to learn and apply it. It occurs to me that these clothing challenges are a lot like writing challenges: you're given some parameters and rules, but you also have a number of innate parameters with which to meet those imposed rules. For a writer, your intrinsic parameters include your experiences, your way of thinking, the things in your immediate material world that offer themselves as images, and so on. For the person getting dressed, your parameters are basically those of your body: your coloring, your hair, your facial features, your shape, possibly your age. There are matters of craft which anyone can learn, but how you apply those matters depends on what you have to apply them to, or to apply to them. That's why, although many people over the course of centuries have written sonnets, no two sonnets are ever the same. You can see how this might be a metaphor for getting dressed. You might twin with somebody, putting together absolutely matching outfits – yet (unless you're actually identical twins with identical hairdos) anybody could tell you apart, even so. The odds are, too, that unless you're very similar in all those innate parameters above, one of you is going to look better in that outfit than the other. 

Anyway, I'm always tempted to think that there's something suspect – incongruous, frivolous, out of keeping – with being a serious literary person, a person who wants to be taken seriously as a literary person, who thinks a lot about clothes. And of course it feels pretty narcissistic to keep posting pictures of my face. I've more or less deliberately chosen some unflattering ones to mitigate against that impulse. But it does seem all of a piece, somehow. If I want to make things all fragmented and put them in opposition to each other, as if they didn't fit together, then I can do that, but it seems sort of pointed toward disorder, rather than order. As Thomas Aquinas continually emphasizes, we are integrated beings, not otherwise. Not that I think Thomas gave too much thought to style – he just got up every day, put on the Dominican habit, and proceeded to parse reality. 

Now to wash my Day-7 hair, find something to wear for a temperature range of 41F-64F, and get some work done. 

Oh, also, check it out: a poem is another kind of selfie. 

LATER, AFTER THE HAIR WASH: 

Obviously I washed my hair – it's still soaking wet here. I did work in some white, though I am trepidatious. I love this thrifted Gap top, which I've had for about a year but have not worn much, paradoxically because I love it. I'm so afraid I'm going to get something on it and ruin it. But today I was BRAVE. 



I also BRAVELY tried these skinny jeans (thrifted, marked "Petite Size 8 SAGE GREEN") in sharpie on the inside waistband, but otherwise unlabeled), which I hadn't worn in some weeks. And . . . they still fit, so that's good news. Thank goodness for spandex. 

It's cold, so I am wearing the big furry cardigan and socks. This would all look better with the negative space of no socks with my Birks, but again: I'm cold. I'll strip off layers as it warms up. 

More views of same: 







My socks are fun. You can't see them clearly here, but they're indigo, with a nordic pattern in shades of pink and red. If you gotta wear socks, wear fun socks. 

It'll be interesting to see how my hair looks when it's dry. Trying a new gel today: Aussie Headstrong Volume Gel. I wanted to see if I could achieve both some wave definition and some extra volume – I do like the larger hair (as long as it looks natural, not teased or sprayed or permed up all big). 

LATER STILL: 

I let my hair air-dry for a long time, then broke down and diffused it, because I get so tired of having wet hair. It's now maybe a little too much, but I like how it turned out. 



My shirt's untucked here; I did tuck it back on the side. 

Reminded yet again that pinks with distinct blue tones, right on the edge of purple, are my color friends. 




Closeup of my socks, which I am still wearing: 



Gotta order some groceries now, then back to poeming. 

I think I'll end this post here. Tomorrow I'll be leaving early to catch the plane and spending the day in transit, so there won't be much news. I'll try to grab some outfit shots that show my travel capsule in action, but my mother's house is strangely bereft of good full-length mirrors in decently lit spaces, so we'll see. 

Wishing the loveliest of weekends to anyone who happens to pass this way.